"Buzz is a long forgotten MTV experiment from 1990. In 1988, Mark Pellington developed an idea for a non-linear collage program he called "Buzz". Created in partnership with MTV Europe producer/director Jon Klein, Buzz was an ambitious 13-part global series commissioned by MTV and channel 4 (UK). It was hailed by critics as ground-breaking, adventurous television. This is episode 1 of the 4 episodes that have managed to survive on an old VHS tape to be digitized for your edification in this modern, digital age."
(Black Flag Party, YouTube Channel)
Fig.1 Buzz Episode 01 Segment 01
Fig.2 Buzz Episode 01 Segment 02
Fig.3 Buzz Episode 01 Segment 03
"The SoundMap is a partnership project of the British Library and the Noise Futures Network. It uses widely available mobile technology in a novel way to capture and aggregate research-quality audio samples. Your recordings will be studied by experts from the Noise Futures Network and we shall post an overview of the research results once sufficient data has been collected and analysed.
Britain's sonic environment is ever changing. Urbanisation, transport developments, climate change and even everyday lifestyles all affect our built and natural soundscapes. The sounds around us have an impact on our well being. Some sounds have a positive or calming influence. Others can be intrusive and disturbing or even affect our health. By capturing sounds of today and contributing to the British Library's digital collections you can help build a permanent researchable resource."
(The British Library Board)
"Ministers have confirmed their intention to abolish RDAs [Regional Development Agencies] and support the creation of Local Economic Partnerships (LEPs), to be in place by March 2012 at the latest. They have also indicated that some of the RDAs' current functions will continue at a national, rather than local level.
The Government has stated that a White Paper will be published in the autumn which will give greater detail and, we expect, clarify a number of issues – such as which work will be carried out locally, which nationally and which not at all.
RDAs accept this change is coming, and are committed to helping ensure as smooth a transition to the new arrangements as possible. Our main task in the meantime remains to support economic recovery and future growth."
(England's Regional Development Agencies, 2010)
"The UK Film Council became one of the highest profile quangos to be axed by the coalition government after culture secretary Jeremy Hunt unexpectedly announced its abolition.
In a raft of mergings, streamlinings and closures, Hunt also axed the Museums, Libraries and Archives council (MLA). ...
Film producer Tim Bevan, who chairs the council, said: 'Abolishing the most successful film support organisation the UK has ever had is a bad decision, imposed without any consultation or evaluation. People will rightly look back on today's announcement and say it was a big mistake, driven by short-term thinking and political expediency. British film, which is one of the UK's more successful growth industries, deserves better.'
Since it was created by Labour in 2000 the UKFC, with 75 staff, has been responsible for handing out more than £160m of lottery money to over 900 films. Successes range from Bend it Like Beckham to Gosford Park to Fish Tank with the occasional dud - notably Sex Lives of the Potato Men - along the way. Last August the Labour government began consultation on merging the film council with the BFI."
(Mark Brown and Maev Kennedy, 26 July 2010, Guardian News and Media Limited)
Fig.1 'Centurion' is a Pathé Productions presentation in association with the UK Film Council of a Celador Films Production of A Film by Neil Marshall.
"In 2007 NZ On Air initiated the NZ On Screen project as an integral part of its digital strategy. Since 1989 NZ On Air has funded over 15,000 hours of local television production. Much of this content, as well as thousands more hours supported by broadcasters, film investors and other funding sources, is not easily accessible to the public.
NZ On Screen is unlocking the treasure chest, providing access to the wealth of television, film, music video and new media produced in NZ, along with knowledgeable background information."
(New Zealand on Screen)
Fig.1 Murphy, G. (1981). Goodbye Pork Pie. Aotearoa New Zealand, NZ Film.
Fig.2 Tamahori, L. (1994). Once Were Warriors. Aotearoa New Zealand, New Zealand Film Commission
Fig.3 Ballantyne, A. (2009). The Strength of Water. Aotearoa New Zealand, NZ Film.