"Buzz is a long forgotten MTV experiment from 1990. In 1988, Mark Pellington developed an idea for a non-linear collage program he called "Buzz". Created in partnership with MTV Europe producer/director Jon Klein, Buzz was an ambitious 13-part global series commissioned by MTV and channel 4 (UK). It was hailed by critics as ground-breaking, adventurous television. This is episode 1 of the 4 episodes that have managed to survive on an old VHS tape to be digitized for your edification in this modern, digital age."
(Black Flag Party, YouTube Channel)
Fig.1 Buzz Episode 01 Segment 01
Fig.2 Buzz Episode 01 Segment 02
Fig.3 Buzz Episode 01 Segment 03
"In 2007 NZ On Air initiated the NZ On Screen project as an integral part of its digital strategy. Since 1989 NZ On Air has funded over 15,000 hours of local television production. Much of this content, as well as thousands more hours supported by broadcasters, film investors and other funding sources, is not easily accessible to the public.
NZ On Screen is unlocking the treasure chest, providing access to the wealth of television, film, music video and new media produced in NZ, along with knowledgeable background information."
(New Zealand on Screen)
Fig.1 Murphy, G. (1981). Goodbye Pork Pie. Aotearoa New Zealand, NZ Film.
Fig.2 Tamahori, L. (1994). Once Were Warriors. Aotearoa New Zealand, New Zealand Film Commission
Fig.3 Ballantyne, A. (2009). The Strength of Water. Aotearoa New Zealand, NZ Film.
"Will the You-Tube revolution foster a new narrative model for feature film? Perhaps it's too early to say. But then again, given the rapid proliferation of the online video portal (launched barely a year ago) it's worth thinking about. To date, most discussion on You Tube centres on its relationship with television. However, there are also signs of ‘cross-pollination' with the cinema: from the very, very small screen to the big screen.
Scriptwriting author Ken Dancyger says that new ‘narrative models' develop against a background of technological innovation, to provide 'narrative experience that re-establishes its connectivity with its audience' (127). Premonitions of a ‘You Tube Narrative Model' can be considered in relation to Dancyger's ‘MTV Model': the feature film as an assemblage of ‘set-pieces' which appropriate both the structure (2-4 minutes) and aesthetic (high production values/rapid montage) of the music video (132). He points to Natural Born Killers (Oliver Stone, 1994) as an example.
But this earlier brand of (80s-90s) postmodern excess has mutated in the new media environment – and new narrative models beckon. "
(Alex Munt, 7 June 2007, FlowTV)
"Radiohead just released a new video for its song 'House of Cards' from the album 'In Rainbows'.
No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes."
(Google)
[In the search for new ways of 'telling the same story' Radiohead have managed to provide the necessary spectacle through their redeployment of surveying technology in their 'House of Cards' music video.]
"Los aparatos 8 bits está viviendo en los últimos años una segunda juventud tras su nacimiento en los 80's, ya que agrupaciones como Crystal Castles, Houratron y Meneo las usan de forma desenfrenada. Éstos últimos son una banda audiovisual conformada por Rigo Pex y Vj Entter, quienes se están consolidando como una de las bandas con más proyección internacional dentro de esta escena, denominada chiptune. Ambos integrantes se conocieron gracias a un anuncio que puso Rigo en un portal de anuncios: busco Vj con dotes bailarines y afición por los glitches, al cual respondió Entter: 'Hola, hago pixelart y conozco varias posturas: perrito, carretilla, etc.'"
(Meneo)