"The observation tower of János-hegy [the Elizabeth Lookout on János Hill is], the highest vantage point of Budapest with a 360 degree panorama, was an obvious location. It also allowed us to take on previous world records in both the 'highest definition image' and the 'largest spherical panorama' category. When contacted, the Council of District XII informed us on the upcoming anniversary of the tower. We agreed to cooperate in commemorating the September 2010 event by setting up new world records-give them our best shot if you please. ."
(360systems Ltd., 360world.eu)
Hu Jieming's "highly acclaimed photo-manipulated images Raft of the Medusa (2002) he references to Théodore Géricault's seminal and allegorical image, the Raft of the Medusa (1819). The historical painting serves as a mytho-poetic memorial of the 150 lost souls onboard the raft after a fatal shipwreck, from which only 15 survived. The painting very elegantly undermines the traditional heroic 19th century historical painting, and, instead, conveys a society in sinking collapse. Hu Jieming parallels this historic occurrence to the regime of the Cultural Revolution with all its sinister cruelty. His Raft of the Medusa, thus, is more than just a reference to the past: The photos are composed of today's excessive amount of consumer goods and advertisement imagery. Additionally, Hu Jieming juxtaposes pictures of today's youth in gestures of self-indulgent hedonism with monochrome grey pictures of the suppressed people in traditional mao-uniforms. These compositions made of images appropriated from different socio-political realities signify a strong critical engagement with both history and the present - it is a concern ranging beyond pure private considerations."
(ShanghART Gallery)
"T. Enami (T probably stood for Toshi), whose real name was Nobukuni Enami (or, in Japanese name order, Enami Nobukuni) was a 'photographers photographer' who in his youthful 20s was a student and assistant to K. Ogawa , and then a professional until he died at age 70 in 1929.
His own studio, established in Yokohama in 1892 when he was 33 years old, then passed to his son, Tamotsu (not a photographer), who carried on as a commercial DPE photo processor and printer for locals and tourists, as well as a publisher of his father's photographs."
(Okinawa Soba)
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(Brandon Stone)